Meditation on an Empty Page by David Sherwin

"White lies on the brim of the image of life, that is, of information, which has soared up out of great chaos. Chaos is like the world and white is like a map, or a figurative representation. Mapping the world, or generating figurative representations, is graphic design. White is the original form of life. I see the original form of my own work as the imagining of white rising to majestic stature from chaotic gray." —Kenya Hara

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Lessons in Arrangement from the To-ji Flea Market by David Sherwin

The old man crouched on his haunches, lost in thought. As a stream of people flowed past, he reached forward, quietly shifting the placement of varied and sundry antiques on a bright blue blanket: an incense holder, teapots, rice bowls, binoculars, reproductions of classic Zen art on roughly cut wood, books for copying sutras, quartz watches, lacquered boxes, flower vases, and six-inch tall carved figurines meant to represent an African-American blues band.

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The Philosopher's Wife by David Sherwin

The painting sits above two bookshelves in our living room, sandwiched between a purple potted orchid named Sven and an old Bell and Howell film projector. Every morning, sitting at the kitchen table, it catches my eye. Four years ago, it arrived in a large unmarked box from my wife's father and stepmother. They volunteer at a thrift shop in Cape Coral, Florida, and often surprise us with antique cameras, clocks, and other bric-a-brac that mesh with our penchant for hand-worn technology. After shoveling through a swath of bubble wrap and styrofoam peanuts, we found a handwritten note regarding the painting: it was titled "The Philosopher's Wife."

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Social Mediation: Polishing the Mirror by David Sherwin

I watched the robin hop his way up and down the branches of the tree, efficiently gulping down the berries until he noticed my gaze. In a huff, he flew away.

Mesmerized, I forgot to take a picture of that moment with my smartphone for my Instagram account or Tumblr. Or: I could digest it into a brief tweet so my friends can imagine that moment in time, distract themselves as long as it took me to write the above sentence, and turn back to whatever matters are consuming their attention. Instead of being in the moment, I was in the moment of thinking how I could share the moment. Then, the moment ended. I was left with nothing but these words.

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Design Thievery by David Sherwin

In my very first days as a fledgling graphic designer, in love with the potent combination of Emigre and Ray Gun that my high school literary magazine editor had foisted upon me, I combed through the local bookstore for anything that could explain to me, in a nutshell, all of the skills I'd need to learn to become a graphic designer. 

I found plenty of Graphis Annuals, back issues of Communications Arts, and a number of books that recounted the history of graphic design. What I really dreamt of, in those days, was a book that could teach me everything that I'd need to know to design a logo, create a typeface from scratch, put together an annual report, art direct a photo shoot. You name it, I wanted to know how to do it well.

Much to my surprise, such a book did not exist. Twenty years later, such a book still does not exist. And that book never will.

It took me long into my career to learn the following: The only way to learn your best process for doing graphic design work is to do graphic design work.

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18 Minutes by David Sherwin

This morning in yoga class, our instructor was focusing on the seventh chakra, the seat of all the other chakras in our body. It's where true consciousness and intuition illuminates the bodymind, like the lumens projected on a television screen.

"It takes 18 minutes of sitting to reach a meditative state," she said at the start of class. As we progressed through a set of asanas, we would pause to sit, breathe, and let that screen of the seventh chakra slowly clarify, pushing space aside to allow us to experience life as it is.

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